Once in a while you meet someone and you know from that first smile: this is something. There’s magic. There’s an extra spring in your step. You’re in it for the long haul. It’s a dream when this happens in the design world.

This pretty much sums up my first meeting with Wasatch Mountain Arts, the folks who put on the Wasatch Mountain Film Festival. When I met these guys last year, we discovered that we had already connected in multiple places online. The WMF is a new film festival here in Utah, with all the enthusiasm of youth and a healthy respect for their big brothers (like the Banff Mountain Film Festival and Telluride Mountainfilm). The WMF is run by Wasatch Mountain Arts, an organization whose goal is to promote arts and mountain culture in Utah—this was like the best Tinder match a bunch of mountain-loving creatives could hope for!

After an initial chat about WMA’s purpose and vision for the festival, I went to work on designing logo comps and identity ideation. Creating a new logo and visual language for a client that lives and breathes both the outdoor and art worlds, just like us, was a dream project. But it quickly turned into one of the more challenging branding projects I’ve taken on. There is a very fine line to walk when taking on a project like this: you want to have an immediately recognizable logo and you want the identity of your client to be understood at first glance, but you also want to steer clear of the trite and over-done. They needed a logo that looked “film festival” enough but that didn’t look just like every other film festival logo out there (some better than others)—to convey the film aspect without showing an actual film reel or strip. And then we needed to tie in the Wasatch Mountains, something that was also important to me personally because they are my favorite spot in the Lower 48. I had to do this logo justice.

Looking to the Wasatch for inspiration, I found Mt. Nebo to be particularly inspiring. With twin summits a little under 12,000 feet, it isn’t the tallest mountain in the state, which means there is always room for improvement and something bigger to strive for. It’s a non-technical walk up, which means any skill level can conceivably summit, but it’s also a big day in the mountains and you have to be committed to it. Mt. Nebo has that iconic Wasatch silhouette and is a peak that many people who drive north along I-15 are familiar with; for some of us it represents home, for others it means arrival at the doorstep of adventure.

As we worked through design revisions and honed in on the final Wasatch Mountain Film Festival logo and identity standards, we also ended up with a new logo for Wasatch Mountain Arts. With more of an art focus and modern design feel that could appeal to a wide audience, we built the WMA logo on the silhouette of Mt. Olympus: the most prominent peak from Salt Lake City and one that is approachable, close, and aesthetically pleasing.

From here we turned our attention to event design and print materials, with a major focus on the event magazine. In past years, the magazine was created in-house and quickly printed; but it became apparent that festival goers would throw away the magazine as soon as a film screening was over. With our collective outdoor focus, we decided that creating this book for digital consumption made much more sense. We would still print the magazine—but a smaller number and higher quality that people would actually want to keep—and then sell it at the event. With so many incredible creatives and filmmakers submitting work as this event grows (including the likes of Chris Burkard, Brody Leven, Sender Films‘ Peter Mortimer, and Fitz Cahall of the much-loved Dirtbag Diaries), we have access to some world-class imagery and stories that enable us to build a magazine that anyone in the outdoor community would be excited to get their hands on.

Wasatch Mountain Film Festival 2017 Magazine Design and Production
With the opportunity to create distinct assets like this high-quality magazine and award laurels for filmmakers and adventurers who excel at their craft, this project has pushed our creativity as a studio and allowed me personally to spend more time sketching and flexing that same creative muscle that used to get me in trouble as a kid (how many artists out there remember being scolded for drawing on homework?). I like to think this creative strength training has elevated the quality of all the other projects we have on deck at IDG right now too.

Wasatch Mountain Film Festival Award Laurels
The Wasatch Mountain Film Festival is still pretty young. I’m so excited we’ve had the opportunity to partner with them in this early stage as a sponsor of the 2017 festival, and I’m looking forward to growing that partnership and role with the organization in the years to come.


Wasatch Mountain Film Festival screenings are taking place June 17th–21st in Park City, Salt Lake City, Sandy, and at Snowbird Resort. If you want to go and haven’t gotten tickets yet, you’re in luck—use the code ILOVETHEWASATCH to get your tickets 50% off! Hope to see you there!




Through my connections from 20 years in the cycling industry, I was approached by Swiss cycling apparel maker ASSOS for a retail apparel project. Well known for their quality, ASSOS is a small company and my favorite kind of client: bike related, design related, focused on quality.

About a week into the project they told me that it wasn’t really the most pressing project they had on their docket and asked if I’d be interested in helping with the leaders’ jersey designs for the Tour of California. Uhhh—YES. And also—YES.

Leaders’ jerseys in the Pro Peloton are fairly straightforward. Tradition dictates: Yellow for the Race Leader (unless you’re in Italy this week), Green for the Sprinter, Blue for the Most Aggressive, White for the Young Rider, and of course Red Polka Dots for the Climber’s Jersey. This could have been a very simple project, but I wanted to push it a bit; this is ASSOS’ first year sponsoring the venerable Amgen Tour of California—the largest professional bike race in North America.

I took cues from each leader’s jersey sponsor and created themes around them that also related to California as a destination. Then I worked through creating tonal color relationships so the primary color of each jersey was consistent with ASSOS’ inline 2017 retail jersey line, while still keeping the overall look of the jersey consistent with the traditional color themes.

Amgen Leader’s Jersey—Yellow rays of sunshine for the Sunshine State. It is upbeat and positive, which reflects Amgen’s cancer research and their work towards curing cancer.

Visit California Sprinter’s Jersey—Green vertical lines reminiscent of the forests and parks that millions of tourists flock to California every year to visit.

Amgen Breakaway from Cancer Most Courageous Rider’s Jersey—Blue technical shapes representing circuit boards and electronics, the visualization of data, and the innovation that California is known for around the world.

Lexus Climber’s Jersey—Red polka dots with the silhouette of the Sierra Nevada—one of the world’s most famous mountain ranges—at the bottom hem, keeping the design modern and sleek.

TAG Heuer Young Rider’s Jersey—ASSOS had a special opportunity to work with world-renowned artist ALEC on the artwork for this jersey, making this a sought-after piece of art as well as a jersey that reflects the spirit and energy of the young riders in the peloton. ALEC’s team provided us with original artwork and then I worked this into a design that sat on the clothing pattern and kept the most unique pieces of the artwork represented in a space that would print well.

I also got to design the L’Étape California Jersey, the Chairman’s Jersey, and the Commemorative Retail Jersey. Hop on over to the ASSOS webstore to pick up any of their retail jerseys »

It’s always exciting to see the work you’ve produced out in the world, alive and breathing. But this is next-level. Watching the live stream [here] every day of the race and seeing work that we’ve designed on some of the fastest cyclists in the world, rolling through towns and cities that have been my home stomping grounds for much of my life, is pretty great.

It is true. I’m super excited to get this new website launched. This is the 3rd version of our website i’ve built since launching Spaceboy Creative back in 2014—but this is the first version I’ve really* liked.

As a business that builds websites it is REALLY HARD to build your own site. We have a design perspective and opinion- but we also have to balance that with the perspective and opinion of our prospective clients (hey—maybe that’s you! If so say Hi on this page!). A website is a tool that is one part marketing of your business and one part sales tool. And the most effective way we see of building a site that appeals to a large and diverse client base is by building a site that is minimal, modern and clean (i know- everyone who works with me just rolled their eyes because i say that about everything), and that is mechanically dialed. That is my biggest focus on this site.. building out the tools that make this an effective sales tool for us- but is also a venue for getting our work, ideas, and opinions on the state of design and the world out to the masses. It’s valuable for everyone to see our past work… but it is even more valuable for everyone to hear what we have to say, to get a glimpse of the ideas and strategies behind the work that we do. This is a chance for us to say do as i say AND as i do

So enjoy! Drop us a line if anything is broken ????